Relapse — Quentin Clabwright
poetry ☆
poetry ☆
The streets from here to Tobacco Barn
are confusing, and most don’t have
sidewalks, and the few that do
also have gutters clogged
with plastic bags and
crushed packs of
Camel Crush.
I’m not even
sure if I’m going
the right way now,
or if I really want to
be going the right way.
I guess I don’t know much
of anything, but I feel like shit,
and in my mind a cigarette will
cure that. Problem with quitting
and starting back up? You’ve
got to seek it out. And even
if I make it to the Tobacco
Barn—and still feel like
shit enough to buy a
pack—I don’t have
a lighter with me
anymore. But I
will cross that
intersection
whenever
I finally
reach
it.
Quentin was born and raised in the Mormon glue trap most commonly referred to as "Utah," though he now resides in the burnt out hedonistic husk of Portland, OR. Most of his writing is an atom bomb caused by a chain reaction of trivial complaints building on trivial complaints, the catalyst to which is riding a bus or a train and staring transfixed as life passes by outside the windows.
When he's not writing, Quentin is reading the biggest high fantasy novels that can still feasibly be carried around in an ancient backpack without splitting the seams. Either that, or he's torturing future poets and writers by forcing them to consider comma usage and participial phrases.
So far, Quentin's work has appeared in journals such as SLCC's Folio, WSU's Metaphor, Tin Can Poetry, and Taj Mahal Review.